For 30 years, Juana Valdés (b. Cuba, 1963) has transformed ideas, thoughts, and feelings into works of art anchored in stories, many of which are inspired by her personal experiences. The exhibition title, Embodied Memories, Ancestral Histories, encompasses many concepts and complexities. Beginning with Un saco para el Viejo (A Coat for the Old Man, 1993), a suit made from burlap by her mother, the artist addresses her Caribbean identity and introduces two recurrent aspects in her work: her Cuban roots and her African ancestry. With this installation as the prologue, the story Valdés tells unravels as the visitor moves through the galleries and becomes acquainted with three main topics that are not necessarily exclusive: “The History of Migration,” “Representation and Subjectivity,” and “Materiality.”